✳︎ Services & TEstimonialsDrawing on nearly two decades leading digital innovation at The Metropolitan Museum of Art and the Getty, I now focus on the interpretive and narrative layer: helping organizations articulate what they want audiences to feel and understand, then translating that clarity into better experiences and content.
What I Do
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I help organizations define what they want audiences to feel and understand — and build the narrative frameworks that make that possible. This includes concept development, editorial direction, and the interpretive layer that connects content to people.
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From immersive audio and 360° video to AR, VR, and interactive media, I bring hands-on production experience to the full arc of a project: from initial concept through execution and delivery.
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I work with teams designing physical and digital visitor experiences — bringing together inclusive design thinking, audience engagement strategy, and a sharp eye for where the "wow" lives.
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With a broad international network across the US and Europe, I help clients find the right creative partners, co-producers, and specialist talent for ambitious projects.
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I sit on advisory committees, contribute to conference programs, and help forward-thinking organizations navigate the evolving landscape of cultural experience and emerging technology.
What Clients & Colleagues Are Saying
“Nina was a true delight to work with developing the audio guide for my first exhibition at The Met. She consistently brought her warmth, intelligence, and empathy to the project and was eager to think outside the box with me.”
— Adam Eaker, Howard Marks Curator of European Paintings, The Metropolitan Museum of Art
“It was a pleasure to work with Nina on the bilingual audioguide for Golden Kingdoms: Luxury and Legacy in the Ancient Americas, a large and complex exhibition exploring materials and meanings in Latin America before 1600. She developed creative approaches to bring the subject matter alive in new ways and seamlessly coordinated with the many stakeholders in the project.”
— Joanne Pillsbury, Andrall E. Pearson Curator of Ancient American Art, The Metropolitan Museum of Art
“Nina stepped in at such a critical moment when there was no clear content lead in place and provided expertise when we needed it most. Her work was thoughtful, insightful, and incredibly helpful. I truly appreciated her flexibility and willingness to jump in and help us navigate a challenging phase.
I look forward to the opportunity to work together again in the future on a project from beginning to end. I am so grateful for her contribution and expertise which helped move our interactive content to a much stronger place. Her support made a real difference to the project.”
— Jane Alexander, Chief Digital Information Officer, Cleveland Museum of Art
“I’ve had the pleasure of working with Nina over many years on extremely varied and complex projects, all of which she has handled with deeply intelligent solutions and deft collaborations. These include digital solutions for the 2018 exhibition Golden Kingdoms: Luxury Arts in the Ancient Americas, the 2018 Delacroix exhibit, 2020’s Tale of the Genji, and the upcoming Galleries for the American Guitar. Nina’s thoughtfulness, clarity, and creativity have made her a pleasure to work alongside.”
— Daniel Kershaw, Exhibition Design Manager, The Metropolitan Museum of Art
“I certainly feel seen and heard working with Nina. Her experience, perspective and creative angle combine for a ‘just the right nudge / just the right time’ energy. “
— Ryan Edwards, Co-Founder and Principal, MASARY
MASARY is a Boston-based, artist‑owned collective founded in 2015. They are a trans-disciplinary studio reimagining environments through immersive, site-specific installations that blend sound, light, interactivity, and performance.
“Why was working with Nina so satisfying? Because when the existing template for our project proved impracticable and frankly unappealing, she asked me to work with her to find a new model. We arrived at a solution that was entirely new, felt right, and was manageable—and utterly effective.”
— Asher Miller, Eugene V. Thaw Curator, European Paintings, The Metropolitan Museum of Art
