After two decades of leading digital innovation at The Met and the Getty as a producer, I now focus on the strategic and interpretive layers, helping clients sharpen their stories and goals so they resonate across every format and touchpoint.
♦ Services & TestimonialsWhat I do
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I help clients define what audiences understand and take away, refining structure and voice to create a cohesive arc across any format.
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I guide the creative arc of digital and immersive projects, applying a producer’s instincts to sharpen the tone, format and talent performance.
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I shape how audiences move through and engage with physical and digital spaces, prioritizing accessibility and inclusion to create the moments that stay with people.
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I connect clients with a select circle of creative partners and specialists drawing on a curated network across the US and Europe to assemble the right team for any vision.
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I provide strategic counsel for leadership teams, contribute to publications, and engage in global conversations on culture, storytelling and emerging tech. Available for keynotes, panels and moderating high profile cultural events.
Client & colleague perspectives
“It was a pleasure to work with Nina on the bilingual audioguide for Golden Kingdoms: Luxury and Legacy in the Ancient Americas, a large and complex exhibition exploring materials and meanings in Latin America before 1600. She developed creative approaches to bring the subject matter alive in new ways and seamlessly coordinated with the many stakeholders in the project.”
— Joanne Pillsbury, Andrall E. Pearson Curator of Ancient American Art, The Metropolitan Museum of Art
“Nina stepped in at such a critical moment when there was no clear content lead in place and provided expertise when we needed it most. Her work was thoughtful, insightful, and incredibly helpful. I truly appreciated her flexibility and willingness to jump in and help us navigate a challenging phase.
I look forward to the opportunity to work together again in the future on a project from beginning to end. I am so grateful for her contribution and expertise which helped move our interactive content to a much stronger place. Her support made a real difference to the project.”
— Jane Alexander, Chief Digital Information Officer, Cleveland Museum of Art
“I certainly feel seen and heard working with Nina. Her experience, perspective and creative angle combine for a ‘just the right nudge / just the right time’ energy. ”
— Ryan Edwards, Co-Founder and Principal, MASARY
MASARY is a Boston-based, artist‑owned collective founded in 2015. They are a trans-disciplinary studio reimagining environments through immersive, site-specific installations that blend sound, light, interactivity, and performance.
“Why was working with Nina so satisfying? Because when the existing template for our project proved impracticable and frankly unappealing, she asked me to work with her to find a new model. We arrived at a solution that was entirely new, felt right, and was manageable—and utterly effective.”
— Asher Miller, Eugene V. Thaw Curator, European Paintings, The Metropolitan Museum of Art
“Nina was a true delight to work with developing the audio guide for my first exhibition at The Met. She consistently brought her warmth, intelligence, and empathy to the project and was eager to think outside the box with me.”
— Adam Eaker, Howard Marks Curator of European Paintings, The Metropolitan Museum of Art
“I’ve had the pleasure of working with Nina over many years on extremely varied and complex projects, all of which she has handled with deeply intelligent solutions and deft collaborations. These include digital solutions for the 2018 exhibition Golden Kingdoms: Luxury Arts in the Ancient Americas, the 2018 Delacroix exhibit, 2020’s Tale of the Genji, and the upcoming Galleries for the American Guitar. Nina’s thoughtfulness, clarity, and creativity have made her a pleasure to work alongside.”
— Daniel Kershaw, Exhibition Design Manager, The Metropolitan Museum of Art
“Nina is a fantastic collaborator in developing digital content. She brings curiosity, intelligence, and nuance to any project. In working with her at The Met, I came to trust her judgment completely, most especially with potentially sensitive subjects.”
— Melanie Holcomb, Curator and Manager of Collection Strategy, Department of Medieval Art at the Metropolitan Museum of Art
